Over six hundred and fifty volumes of printed texts from the 16th and 17th centuries are included in this major new microfilm collection.
Among the treasures of the collection are almost all of the works of Byrd to be printed in his lifetime, including the two books of Gradualia (1610) and the famous Cantiones, quare ab Argumento Sacrae Vocantur, published jointly with Tallis in 1575.
The collection as a whole consists chiefly of English and continental works from the 16th and 17th centuries, with a few representatives of the 18th century, and is particularly rich in masses, madrigals and anthems. Italian composers are represented by Palestrina, Victoria, Monteverde, Marenzio and Grandi, among many others. English madrigalists include Morley, Gibbons and Peter Philips, together with the influential anthology of translated madrigals Musica Transalpina (1688).
The collection compliments the printed music collections of Westminster Abbey Library and Lincoln Cathedral Library but provides a substantial addition so that holders of all three collections have a nearly comprehensive library of 16th and 17th century printed music.
The Christ Church microfilm is based on the Catalogue of Printed Music, edited by Alois Hiff, Oxford 1919, which is itself included in the microfilm set.
76 reels
Reference: XCM
Contents
| Reel | Museum Shelf Mark | Title |
| 1 | 1 | Victoria: Motecta festorum totius anni. Rome, 1585 |
| 1 – 2 | 24 – 31 | Marcello: The first fifty psalms set to music, adapted by J. Garth. 8 vols. London, 1757 |
| 2 | 84 | India: Le musiche a due voci. Venice, 1615. Imperfect. See also Museum Shelf Mark 795 |
| 86 | Grandi: Motetti a voce sola. Venice, 1628 | |
| 93 | King, W.: Poems of Mr. Cowley and others composed into songs and ayres. Oxford, 1668 | |
| 97 – 99 | Haim: Dodeci sonate … opera prima. 3 parts. Amsterdam, 1703 | |
| 100 – 104 | De floridi virtuosi d’Italia: madrigali a cinque voci. 5 parts. Antwerp, 1600 | |
| 3 | 105 – 106 | Gibbons: Fantasies of III parts. Altus & Bassus only. 1606 |
| 107 – 109 | Lully: Les trio des opera. 3 parts. Paris. n.d. | |
| 110 – 119 | Lully: Isis. 10 parts. Paris, 1677 | |
| 4 | 120 – 122 | Gastoldi: Balletti a tre voci. Canto I, II and Basso only. Antwerp, 1631 |
| 123 – 128 | Aux Cousteaux: Meslanges. 6 parts. Paris, 1644 | |
| 129 – 134 | Philippi: Il primo libro de madrigali a sei voci. 6 parts. Antwerp, 1604. See also Museum Shelf Mark 586 – 591 | |
| Philippi: Il secondo libro de madrigali a sei voci. 6 parts. Antwerp, 1603. See also Museum Shelf Mark 538 – 543 | ||
| 135 – 140 | Ward: The first set of English madrigals. 6 parts. London, 1613 | |
| 5 | 141 – 145 | Carlton: Madrigals to five voyces. 5 parts. London, 1601 |
| 146 – 153 | Victoria: Motecta. 8 parts. Venice, 1603 | |
| 154 – 160 | Deering: Cantica sacra. 7 parts. Antwerp, 1618. See also Museum Shelf Mark 881 – 886 | |
| 161 – 162 | Vesi: Motetti a voce sola. Opera terza. Voce & Partitura. Antwerp, 1656 | |
| 6 | 163 – 166 | Bassani: Resi armonici in motetti … 4 parts. Antwerp, 1691 |
| 167 – 170 | Dumont: Motets. 4 parts, lacking Taille. Paris, 1681 | |
| 171 – 173 | Floridus: Has alias sacras cantiones. Partitura & Cantus. Rome, 1659 | |
| Floridus: Has alteras sacras cantiones … Pars secunda. Partitura only. Rome, 1663 | ||
| 7 | 174 – 178 | Fabbri: Salmi concertati a cinque voci. 5 parts, lacking Canto I. Rome, 1660 |
| 179 – 182 | Strozzi: Musica concertata. Canto, Quinto, Basso & Basso – Continuo only. Venice, 1630 | |
| 183 – 189 | Strozzi: Messe a cinque, sei & otto voci. 7 parts. Venice, 1626 | |
| 190 – 198 | Pallavicino: Sacrae Dei laudes. 9 parts. Venice, 1605 | |
| 199 – 203 | Pallavicino: Il sesto libro di madrigali a cinque voci. 5 parts. Antwerp, 1612 | |
| 8 | 204 – 206 | Pallavicino: Il settimo & l’ultimo libro di madrigali a cinque voci. Alto, Quinto & Basso only. Antwerp, 1613 |
| 207 – 214 | Pallavicino: L’ottavo libro di madrigali a cinque voci con alcuni a otto. 8 parts. Alto II (209), Tenor II (212) and Basso II (214) in duplicate. Venice, 1611 12. See also Museum Shelf Mark 484 – 488 | |
| 215 – 219 | Rovetta: Madrigali concertati. 5 parts. Rotterdam, 1660 | |
| 220 – 222 | Gratiani: Motetti a 2, 3 e 5 voci. Canto I, II & Organo only. Rome, 1657 | |
| 223 | Gratiani: Il terzo libro de motetti a voce sola. Partitura only. Rome, 1665 | |
| 224 | Playford, J.: Catch that catch can. London, 1685 | |
| 9 | 225 – 230 | Este: Madrigales to 3, 4 & 5 parts. 5 parts. London, 1604. See also Museum Shelf Mark 449 – 454 |
| Este: The second set of madrigales to 3, 4 & 5 parts. 5 parts. London, 1606. See also Museum Shelf Mark 449 – 454 | ||
| Este: The third set of bookes. 6 parts. London, 1610 | ||
| 230* | Duplicate of 230 (Bassus) | |
| 231 – 235 | Holborne: Pavans, galliards, etc.. 5 parts. London, 1599 | |
| 236 – 241 | Adson: Courtly masquing ayres. 6 parts. London, 1621 | |
| 242 – 246 | Morley: The first booke of balletts to five voyces. 5 parts. London, 1595 | |
| 10 | 247 – 248 | Byrd: Liber secundus sacrarum cantionum. Medius & Tenor only. London, 1591. See also Museum Shelf Mark 489 – 494 |
| 249 – 255 | Valentini: Secondo libro de madrigali. 7 parts. Venice, 1616 | |
| 256 | Castro: Madrigali a tre voci. Tenore only. Antwerp, 1620 | |
| 257 | Anselmi. Madrigali. Canto secondo only. Venice, 1624 | |
| 258 – 262 | Striggio, etc.: Novi frutti musicali madrigali a cinque voci. 5 parts, wrongly lettered. Antwerp, 1610 | |
| 263 | Dumont: Airs a quatre parties. Dessus et Basse continue only. Paris, 1663 | |
| 264 – 266 | Calvi: Quarta raccolta de sacri canti. Canto, Alto and | |
| Basso only. Venice, 1629. See also Museum Shelf Mark 922 – 925 | ||
| 267 – 272 | Monteverde, C.: Il terzo libro de madrigali. 6 parts. Antwerp, 1615. See also Museum Shelf Mark 283, 502 – 507 and 533 – 537 | |
| 11 | 273 – 278 | Monteverde: Il quarto libro de madrigali. 6 parts. Antwerp, 1615. See also Museum Shelf Mark 283, 502 – 507, 533 – 537 and 581 – 585 |
| 279 – 282 | Monteverde, C.: Il quinto libro de madrigali. Canto, Alto, Tenore & Basso only. Antwerp, 1615. See also Museum Shelf Mark 283 and 533 – 537 | |
| 283 | Monteverde, C.:Il terzo libro de madrigali. Basso continuo only. Antwerp, 1615. See also Museum Shelf Mark 267 – 272, 502 – 507 and 533 – 537 | |
| Monteverde, C.: Il quarto libro de madrigali. Basso continuo only. Antwerp, 1615. See also Museum Shelf Mark 273 – 278, 502 – 507, 533 – 537 and 581 – 585 | ||
| Monteverde, C.: Il quinto libro de madrigali. Basso continuo only. Antwerp, 1615. See also Museum Shelf Mark 279 – 282 and 533 – 537 | ||
| 284 – 288 | Vermeren, etc.: Florida verba. 4 parts, lacking Bassus. Antwerp, 1661. See also Museum Shelf Mark 887 – 892 | |
| Casati: Amoenum rosarium odoriferis concentuum rosis. Cantus, Altus, Tenor, Bassus – continuo only. Antwerp, 1649 | ||
| Monferrato: Motetti concertati a due e tre voci. Canto I, II & Organo only. Antwerp, 1660 | ||
| Casati: Opera primi pars prior, continens Moteta. 3 parts. Antwerp, 1662 | ||
| Geertsom: XIV motetta … Liber secundus. 3 parts. Rotterdam, 1661 | ||
| Borremans: Cantiones natalitiae quinque vocum. Cantus, Praecentus, Altus, Tenor, Bassus contin. only. Antwerp, 1660 | ||
| Marcesso, etc.: Sacra corona. Cantus I, II & Basso – continuo only. Antwerp, 1659 | ||
| 12 | 289 – 293 | Deering: Canzonette. 5 parts. Antwerp, 1620. See also Museum Shelf Mark 320 – 323 and 502 – 507 |
| 294 – 296 | Hodimontio: Armonica recreatione: villanelli a tre voci. 3 parts, lacking Basso continuo. Antwerp, 1625 | |
| 297 – 300 | Ferrabosco: Il primo libro de madrigali. 4 parts. Venice, 1542. See also Museum Shelf Mark 341 | |
| 301 – 305 | Marenzio: Madrigali a cinque voci, ridotti in un corpo. 5 parts. Antwerp, 1593 | |
| Castro: Chant musicale sur les nopces du S. Prince Don Philippe … et de la … Princesse d’Austrice. 5 parts. Cologne, 1597 | ||
| 13 | 306 – 309 | Archadelt: Il primo libro de madrigali a quatro voci. 4 parts. Venice, 1561 |
| Berchem, etc.: De diversi auttori il primo libro de madregali. 4 parts. Venice, 1560 | ||
| Rore: Il primo libro de madrigali cromatici a cinque voci. 4 parts, lacking Quintus. Venice, 1559 | ||
| Contino: Il primo libro de madrigali a cinque voci. 4 parts, lacking Quintus. Venice, 1560 | ||
| Archadelt, etc.: Il primo libro de le Muse a cinque voci. 4 parts, lacking Quintus. Venice, 1561 | ||
| Palestrina, etc.: Il secondo libro de le Muse a cinque voci. 4 parts, lacking Quintus. Venice, 1561 | ||
| 310 – 312 | Verdonch, etc.: Melodia Olympica. 6 parts. Antwerp, 1591 1594 | |
| Philippi: Madrigali. 8 parts. Antwerp, 1599 | ||
| 14 | 313 – 317 | Verdonch, etc.: Melodia Olympica. 6 parts. Antwerp, 1591 1594 |
| Philippi: Madrigali. 8 parts. Antwerp, 1599 | ||
| 318 – 319 | Selectissimarum sacrarum cantionum (quas vulgo moteta vocant) flores. Liber primus, Liber secundus and Liber tertius. Tenor and Bassus only. Leuven, 1569 | |
| Clemens, etc.: Recueil des fleurs produictes de la divine musique. Premier livre, Second livre and Tiers livre. Tenor and Bassus only. Leuven, 1569 | ||
| 320 – 323 | Deering: Canzonette. 4 parts, lacking Canto II. Antwerp, 1620. See also Museum Shelf Mark 289 – 293 and 502 – 507 | |
| 324 | [Flute instructor, with tunes. c. 1750 | |
| 15 | 325 – 330 | Pevernage, etc.: Harmonia celeste. 6 parts. Antwerp, 1589 |
| 331 | Cazzati: Il quarto libro delle canzonette a voce sola. Bologna, 1668 | |
| 332 – 334 | Archadelt: Il primo libro de madrigali. 3 parts, lacking tenor. Venice, 1585 | |
| 335 | Metru: Fantaisies a deux parties pour les violles. Haute only. Paris, 1642 | |
| 336 | Mercurius musicus; January, February, March, April, May, June, July and August – December. London, 1699 | |
| 16 | 337 | Simpson: A compendium of practical musick. With ms |
| music and notes at end. London, 1667 | ||
| 338 – 339 | Child: The first set of psalms of III voyces. Bassus and Bassus cont. only. London, 1639 (Bassus) and 1650 (Bassus – cont.) | |
| 340 | Marot: Les pseaumes de David mis en rime francoise. Middelburg, 1611 | |
| 17 | 341 | [Latin motets. Imperfect; no title page. 1539 |
| Archadelt: Il quarto libro de madrigali. Bassus only. Venice, 1541 | ||
| Ferrabosco: Il primo libro de madrigali. Bassus only. Venice, 1542. See also Museum Shelf Mark 297 – 300 | ||
| 342 – 345 | Whythorne: Songes. Triplex, Medius, Tenor & Bassus only. London, 1571 | |
| 346 – 349 | Frisius: Brevis musicae isagoge… 4 parts. Zurich, 1554 | |
| 390 | Parsons, etc.: The whole psalmes in foure partes … printed by John Day. Tenor only. London, 1563 | |
| 441 | Ptolemoeus: Harmonicorum libri tres. Oxford, 1682 | |
| 18 | 442 – 446 | Foggia, R.: Madrigali a cinque et otto voci. Canto, Alto, Quinto, Tenore & Basso only. Venice, 1615 |
| Gentile: Il primo libro de madrigali. 5 parts. Venice, 1616 | ||
| Missino: Tirsi doglioso. 5 parts. Venice, 1615 | ||
| Pecci: Madrigali. 5 parts. Venice, 1609 | ||
| Bartolini: Il primo libro de madrigali. 5 parts. Venice, 1606 | ||
| 447 | Bononcini: Cantate e duetti. London, 1721 | |
| 448 | Fontei: Bizzarrie poetiche. Venice, 1635 | |
| Valvasensi: Secondo giardino d’amorosi fiori. Venice, 1634 | ||
| Piazza: Libro secondo, Canzonette. Venice, 1633 | ||
| Sances: Cantade, a doi voci. Venice, 1633 | ||
| Bonini: Lamento d’Arianna. Venice, 1613 | ||
| 19 – 20 | 449 – 454 | Hilton: Ayres, or fa – la’s. 3 parts. London, 1627. See also Museum Shelf Mark 1112 |
| Farmer: The first set of English madrigals. 4 parts. London, 1599 | ||
| Bennet: Madrigalls. 4 parts. London, 1599 | ||
| Este: Madrigales to 3, 4 & 5 parts. 5 parts. London, 1604. See also Museum Shelf Mark 225 – 230 | ||
| Este: The second set of madrigales to 3, 4 & 5 parts. 5 parts. London, 1606. See also Museum Shelf Mark 225 – 230 | ||
| Este: The fourth set of bookes. 6 parts. London, 1618 | ||
| Weelkes: Madrigals of 5 and 6 parts. 6 parts. London, 1600 | ||
| Gibbons: The first set of madrigals and mottets. 5 parts. London, 1612. See also Museum Shelf Mark 708 – 712 | ||
| Peerson: Mottects or grave chamber musique. 6 parts. London, 1630 | ||
| Bateson: The first set of English madrigales. 6 parts. London, 1604 | ||
| Bateson: The second set of madrigales. 6 parts. London, 1618 | ||
| Morley, etc.: Madrigales. The triumphes of Oriana. 6 parts. London, 1601 | ||
| Tomkins: Songs. 6 parts. London, 1622 | ||
| Croce: Musica sacra. 6 parts. London, 1608 | ||
| 20 | 455 – 458 | Este: The seventh set of bookes. 4 parts. London, 1638 |
| 21 – 23 | 459 – 483 | Manuscript material |
| 23 – 24 | 484 – 488 | Rovetta: Madrigali concertati. 5 parts. Venice, 1629 |
| Pallavicino: Il primo libro de madrigali. 5 parts. Venice, 1606 | ||
| Pallavicino: Il secondo libro de madrigali. 5 parts. Venice, 1606 | ||
| Pallavicino: Il terzo libro de madrigali. 5 parts. Venice, 1606 | ||
| Pallavicino: Il quinto libro de madrigali. 5 parts. Venice, 1609 | ||
| Pallavicino: Il sesto libro de madrigali. 5 parts. Venice, 1611 | ||
| Pallavicino: Il settimo libro de madrigali. 5 parts. Venice, 1611 | ||
| Pallavicino: L’ottavo libro de madrigali a cinque voci con alcuni a otto. Canto, Alto, Quinto, Tenore, Basso only. Venice, 1612. See also Museum Shelf Mark 207 – 214 | ||
| Wynant: Madrigali. 5 parts. Venice, 1597 | ||
| Cifra: Madrigali. 5 parts. Venice, 1615 | ||
| Merula: Musiche concertate. 5 parts. Venice, 1635 | ||
| Facho: Madrigali. 5 parts, lacking Quintus. Venice, 1636 | ||
| Ferrari, G.:Il primo libro de madrigali. 5 parts. Venice, 1628 | ||
| Grandi: Madrigali concertati. Libro I. 5 parts. Venice, 1626 | ||
| Grandi: Madrigali concertati. Libro II. 5 parts. Venice, 1626 | ||
| 25 – 26 | 489 – 494 | Byrd: Psalmes, sonets, and songs. 5 parts. London, n.d. |
| Byrd: Songs of sundrie natures. 6 parts. London, 1589 | ||
| Byrd: Psalmes, songs and sonnets. 6 parts. London, 1611 | ||
| Byrd: Liber primus sacrarum cantionum. 5 parts. London, 1589 | ||
| Byrd: Liber secundus sacrarum cantionum. 6 parts. London, 1591. See also Museum Shelf Mark 247 – 248 | ||
| Byrd: Mass for 3 voices. 3 parts. No title page. s.l., n.d. | ||
| Byrd: Mass for 4 voices. 4 parts. No title page. s.l., n.d. | ||
| Byrd: Mass for 5 voices. 5 parts. No title page. s.l., n.d. | ||
| Byrd: Gradualia. Liber primus. Editio secunda. 5 parts. London, 1610 | ||
| Byrd: Gradualia. Liber secundus. 6 parts. London, 1610 | ||
| Mundy: Songs and psalmes. 5 parts. London, 1594 | ||
| 26 | 499 – 501 | Wilson: Cheerfull ayres, or ballads. 3 parts. Oxford, 1660 |
| 27 – 28 | 502 – 507 | Guami: Canzonette francese. Canto, Alto, Tenore & Basso only. Antwerp, 1612 |
| Pecci: Canzonette. 4 parts. Antwerp, 1624 | ||
| Agazzari: Madrigali. 5 parts. Antwerp, 1602 | ||
| Agazzari: Madrigali harmoniosi. 6 parts. Antwerp, 1600 | ||
| Monteverde, C.: Il terzo libro de madrigali. 6 parts. Antwerp, 1615. See also Museum Shelf Mark 267 – 272, 283 and 533 – 537 | ||
| Monteverde, C.: Il quarto libro de madrigali. 6 parts. Antwerp, 1615. See also Museum Shelf Mark 273 – 278, 283, 533 – 537 and 581 – 585 | ||
| Vecchi: Convito musicale. 6 parts. Antwerp, 1598 | ||
| Vecchi: Canzonette. 4 parts. Antwerp, 1611 | ||
| Rimonte: Parnaso español de madrigales. 5 parts, lacking Sextus. Antwerp, 1614 | ||
| Deering: Canzonette. 5 parts. Antwerp, 1620. See also Museum Shelf Mark 289 – 293 and 320 – 323 | ||
| Pallavicino: Il quarto libro de madrigali. 5 parts. Venice, 1607 | ||
| 29 | 508 – 509 | Clemens, etc.: Liber primus cantionum sacrarum. Contratenor & Bassus only. Leuven, 1555 |
| Clemens, etc.: Liber secundus cantionum sacrarum. Contratenor & Bassus only. Leuven, 1554 | ||
| Clemens, etc.: Liber tertius cantionum sacrarum. Contratenor & Bassus only. Leuven, 1554 | ||
| Clemens, etc.: Liber quartus cantionum sacrarum. Contratenor & Bassus only. Leuven, 1559 | ||
| Clemens, etc.: Liber quintus cantionum sacrarum. Contratenor & Bassus only. Leuven, 1560 | ||
| Clemens, etc.: Liber sextus cantionum sacrarum. Contratenor & Bassus only. Leuven, 1558 | ||
| Clemens, etc.: Liber septimus cantionum sacrarum. Contratenor & Bassus only. Leuven, 1558 | ||
| Clemens, etc.: Liber octavus cantionum sacrarum. Contratenor & Bassus only. Leuven, 1558 | ||
| Clemens, etc.: Premier livre des chansons a cincq et six parties. Contratenor & Bassus only. Leuven, 1556 | ||
| Clemens, etc.: Second livre des chansons a cincq et six parties. Contratenor & Bassus only. Leuven, 1560 | ||
| Clemens, etc.: Tiers livre des chansons a quatre, cincq et six parties. Contratenor & Bassus only. Leuven, 1560 | ||
| Clemens, etc.: Septiesme livre des chansons a quatre parties. Contratenor & Bassus only. Leuven, 1560 | ||
| Clemens, etc.: Premier livre du recueil des fleurs … Bassus only. Leuven, 1560 | ||
| 30 | 515 – 516 | Premier livre contenant XXV chansons. 4 parts in 2. Paris, 1538 |
| Second livre contenant XXVII chansons. 4 parts in 2. Paris, 1538 | ||
| Second corrected in MS to Tiers livre contenant XXX chansons. 4 parts in 2. Paris, 1537 | ||
| Tiers corrected in MS to Quart livre contenant XXX chansons. 4 parts in 2. Paris, 1537 | ||
| Huitiesme corrected in MS to Quint livre contenant XIX chansons. 4 parts in 2. Paris, 1540 | ||
| 533 – 537 | Marenzio: Il sesto, settimo, ottavo et nono libro … de madrigali a cinque voci. 5 parts. Antwerp, 1609. See also Museum Shelf Mark 974 – 978 | |
| Monteverde, C.: Il terzo libro de madrigali. 5 parts, lacking Basso continuo. Antwerp, 1615. See also Museum Shelf Mark 267 – 272, 283 and 502 – 507 | ||
| Monteverde, C.: Il quarto libro de madrigali. 5 parts, lacking Basso continuo. Antwerp, 1615. See also Museum Shelf Mark 273 – 278, 283, 502 – 507 and 581 – 585 | ||
| Monteverde, C.: Il quinto libro de madrigali. 5 parts, lacking Basso continuo. Antwerp, 1615. See also Museum Shelf Mark 279 – 282 and 283 | ||
| 31 | 538 – 543 | Philippi: Il secondo libro de madrigali a sei voci. 6 parts. Antwerp, 1603. See also Museum Shelf Mark 129 – 134 |
| 544 – 553 | Barnard: The first book of selected church musick. 10 parts. London, 1641 | |
| 581 – 585 | Monteverde, C.: Il quarto libro de madrigali. 5 parts, lacking Quinto. Antwerp, 1615. See also Museum Shelf Mark 273 – 278, 283, 502 – 507 and 533 – 537 | |
| 32 | 586 – 591 | Philippi: Il primo libro de madrigali a sei voci. 6 parts. Antwerp, 1604. See also Museum Shelf Mark 129 – 134 |
| 33 | 592 – 597 | Caurroy: Meslanges de la musique. 6 parts. Paris, 1610 |
| Caurroy: Fantasies. 6 parts in 5. Paris, 1610 | ||
| 600 | Lully: Bellerophon. Score. Paris, 1679 | |
| 34 | 601 | Lully: Proserpine. Score. Paris, 1680 |
| 602 | Lully: Phaëton. Score. Paris, 1683 | |
| 35 | 603 | Lully: Persée. Score. Paris, 1682 |
| 604 | Lully: Le triomphe de l’amour. Score. Paris, 1681 | |
| 605 | Clerambault: Cantates françoises. Livre I. Paris, 1710 | |
| Clerambault: Cantates françoises. Livre II. Paris, 1713 | ||
| Clerambault: Cantates françoises. Livre III. Paris, 1716 | ||
| Clerambault: Le bouclier de Minerve. Paris, 1714 | ||
| Clerambault: La muse de l’opera. Paris, 1716 | ||
| Cleramabult: Abraham. Paris, 1715 | ||
| 36 | 606 | Croft: Musicus apparatus academicus. London, n.d. |
| Handel: Te Deum et Jubilate. London, n.d. | ||
| 607 – 608 | Croft: Musica sacra. 2 vols. London, 1724 | |
| 609 | Mattheson: Pièces de clavecin. 2 vols. London, 1714 | |
| Draghi: Six select sutes of lessons for the harpsicord. London, n.d. | ||
| Mercurius musicus; January, February, April, May?, June, October, November, December. London, 1708 | ||
| Babel: The 4th book of the ladys entertainment. London, n.d. | ||
| 37 | 610 | Grabu: Albion and Albanus. Score. London, 1687 |
| 611 | Philippi: Paradisus. Bassus generalis only. Antwerp, 1628. See also Museum Shelf Mark 913 – 918 | |
| 677 | Grandi: Messe, a 3 & a 4 voci … Canto primo only. Bologna, n.d. | |
| 678 | Haym: The symphonys … in the opera call’d Pyrrhus and Demetrius. Treble I only. London, n.d. | |
| 679 | Whichello: Lessons for the harpsichord or spinett. London, n.d. | |
| 680 | Geminiani: Sonate a violino, violone, e cembalo. London, 1716 | |
| 681 – 682 | Croft: Six sonatas of two parts. 2 parts. London, n.d. | |
| 694 – 697 | Sherard: Sonate à tre, doi violini, e violone col basso per l’organo. 4 parts. Amsterdam, n.d. | |
| 38 – 39 | 698 – 702 | Tomkins: Musica Deo sacra … 5 parts. London, 1668 |
| 703 – 707 | Tomkins: Musica Deo sacra … 5 parts. Another copy. London, 1668 | |
| 40 | 708 – 712 | Gibbons: The first set of madrigals and mottets. 5 parts. London, 1612. See also Museum Shelf Mark 449 – 454 |
| 713 – 715 | Barbarino: Madrigali a tre voci. 3 parts. Venice, 1617 | |
| 41 | 786 | Purcell, H.: The vocal and instrumental musick of The prophetess, or The history of Dioclesian. London, 1691 |
| 787 | Purcell, H.: The vocal and instrumental musick of The prophetess. Another copy, lacking title page. London, 1691 | |
| 788 | Bowman: Songs for 1, 2 & 3 voices. Oxford, 1677 | |
| 789 | Purcell, Daniel: Six sonatas or solos. London, n.d. | |
| 790 | Purcell, Daniel: The judgment of Paris. London, n.d. | |
| 791 | Guedron: French court aires. London, 1629 | |
| 792 | Blow: Amphion Anglicus. No portrait. London, 1700 | |
| 793 | Blow: Amphion Anglicus. Another copy. London, 1700 | |
| 42 | 794 | Purcell, H.: Te Deum and Jubilate. London, 1697 |
| Playford, H.: Harmonia sacra. Books I, II. London, 1693 | ||
| 795 | Monteverde, C.: L’Orfeo favola. Venice, 1615 | |
| Fontei: Bizzarrie poetiche. Libro secondo. Venice, 1636 | ||
| Bonini: Serena celeste. Venice, 1615 | ||
| Polidori: Motetti. Venice, 1636 | ||
| Saracini: Le quinte musiche. Venice, 1624 | ||
| Saracini: Le seste musiche. Venice, 1624 | ||
| Merula: Curtio precipitato. Venice, 1638 | ||
| Cifra: Scherzi et arie. Venice, 1614 | ||
| India: Le musiche. Libro quinto. Venice, 1623 | ||
| India: Le musiche a due voci. Venice, 1615. See also Museum Shelf Mark 84 | ||
| India: Le musiche. Libro quarto. Venice, 1621 | ||
| Micheli: Musica vaga et artificiosa. Venice, 1615 | ||
| 796 | Fornaci: Amorosi respiri musicali. Venice, 1617 | |
| Caccini: L’Euridice. Venice, 1615 | ||
| Caccini: Le nuove musiche. Venice, 1615 | ||
| Cecchino: Amorosi concetti. Venice, 1616 | ||
| Monteverde, C.: Scherzi musicali. Venice, 1615 | ||
| Calestani: Madrigali et arie. Venice, 1617 | ||
| Orlandi: Arie. Venice, 1616 | ||
| 43 | 797 | Galilei: Dialogo della musica antica e moderna. Florence, 1602 |
| 798 | Barbarino: Madrigali di diversi autori. Venice, 1609 | |
| Foggia, R.: Il primo libro delle canzonette. Venice, 1616 | ||
| Foggia, R.: Il secondo libro delle canzonette. Venice, 1616 | ||
| Foggia, R.: Il terzo libro delle canzonette. Venice, 1616 | ||
| Foggia, R.: Il quarto libro delle canzonette. Venice, 1616 | ||
| Foggia, R.: Il quinto libro delle canzonette. Venice, 1617 | ||
| Barbarino: Il secondo libro de madrigali. Venice, 1611 | ||
| Barbarino: Il quarto libro de madrigali. Venice, 1614 | ||
| Barbarino: Canzonette. Venice, 1616 | ||
| 799 | Vincentino: L’antica musica. Rome, 1555 | |
| 800 | Hove: Florida sive cantiones. Utrecht, 1601 | |
| 801 | Glareanus: Dodekachordon. Basel, 1547 | |
| 44 | 802 | Morley: A plaine and easie introduction to practicall musicke … London, 1608. Imperfect, lacking all after p.176 |
| 803 | Morley: A plaine and easie introduction to practicall musicke. Another copy. London, 1608 | |
| 804 | Morley: A plaine and easie introduction to practicall musicke. Another copy. London, 1608 | |
| 45 | 805 – 806 | Morley: The first booke of consort lessons. Flute and pandora only. London, 1599 |
| 807 | King, Robert: Songs. London, n.d. | |
| 808 | Playford, J.: Select musicall ayres. London, 1652 | |
| Playford, J.: The second booke of ayres. London, 1652 | ||
| 809 – 812 | Purcell, H.: Sonnata’s of III parts. 4 parts. London, 1683 | |
| 813 – 816 | Deering: Cantica sacra. 4 parts. London, 1662 | |
| Deering, etc.: Cantica sacra … the second sett. 3 parts. London, 1674 | ||
| 817 | Porta, H.: Hore di recreatione musicale. Venice, 1612 | |
| 818 – 820 | Porter: Mottets. 3 parts. London, 1657 | |
| 821 – 823 | Porter: Mottets. 3 parts. Another copy. London, 1657. See also Museum Shelf Mark 877 – 880 | |
| 824 – 827 | Purcell, H.: Ten sonata’s in four parts. 4 parts. London, 1697 | |
| 46 | 828 – 831 | Purcell, H.: A collection of ayres. 4 parts. London, 1697 |
| 832 | Blow: An ode, on the death of Mr. Henry Purcell. London, 1696 | |
| 833 | Dowland: Andreas Ornithoparcus his micrologus, or introduction, containing the art of singing. London, 1609 | |
| 834 | Dowland: The first booke of songs or ayres. London, 1613 | |
| 835 | Smith, etc. publs: Musica Oxoniensis. London, 1698 | |
| 836 | Blow and Purcell: Three elegies on our late gracious Queen Mary. No title page. 1695 | |
| 837 | Bassani: Harmonia festiva. London, n.d. | |
| 838 – 840 | Bassani: Suonate. Violino I, II & Violoncello only. Antwerp, 1691 | |
| 841 – 851 | Eve: Genius musicus. 5 voice parts, 6 instrumental parts. Amsterdam, n.d. | |
| 47 | 852 – 858 | Rosier: In fletu solatium. 8 parts in 7. Cologne, 1667 |
| 859 – 862 | Rosier: Motetta. 6 parts in 4. Cologne, 1668 | |
| 863 | Ferrari, B.: Musiche varie a voce sola. Imperfect. Venice, 1633 | |
| 866 | Beretta: Partitura del primo libro delle canzoni. Milan, 1604 | |
| 867 | Patta: Motetti et madrigali. Venice, 1614 | |
| 868 | Campian: The first booke of ayres. Lacks all before B1. London, 1613? | |
| Campian: The second booke of ayres. Lacks all after M2. London, 1613? | ||
| 869 | Conti: The symphonys in … Clotilda. First treble, Second treble & Tenor only. London, 1710 | |
| 870 – 876 | Aldrich: Dr. Aldrich his service in G. No title page. s.l., n.d. 7 copies | |
| 48 | 877 – 880 | Wilson: Psalterum Carolinum. 4 parts. London, 1657 |
| Porter: Mottets. 3 parts. London, 1657. See also Museum Shelf Mark 818 – 820 and 821 – 823 | ||
| 49 – 50 | 881 – 886 | Sagitari: Symphoniae sacrae. 6 parts. Venice, 1629 |
| Vitali: Concerto, madrigali et altri generi di canti. 6 parts. Venice, 1629 | ||
| Deering: Cantica sacra. 6 parts, lacking Basso continuo. Antwerp, 1618. See also Museum Shelf Mark 154 – 160 | ||
| Deering: Cantiones sacrae. 6 parts. Antwerp, 1617 | ||
| India: Liber secundus sacrorum concentuum. 6 parts. Venice, 1610 | ||
| Delipari: I baci. Madrigali. 6 parts. Venice, 1630 | ||
| Cremonese: Madrigali concertati. 6 parts. Venice, 1636 | ||
| Bellante: Concerti accademici. 6 parts. Venice, 1629 | ||
| Ciaia: Madrigali. 6 parts, Alto imperfect. Venice, 1636 | ||
| India: Il terzo libro de madrigali. 6 parts. Venice, 1615 | ||
| Monteverde, C.: Il primo libro de madrigali. 5 parts. Venice, 1621 | ||
| Monteverde, C.: Il secondo libro … 5 parts. Venice, 1621 | ||
| Monteverde, C.: Il terzo libro … 5 parts. Venice, 1621 | ||
| Monteverde, C.: Il quarto libro … 5 parts. Antwerp, 1622 | ||
| Monteverde, C.: Il quinto libro … 6 parts. Antwerp, 1620 | ||
| Monteverde, C.: Il sesto libro … 6 parts. Venice, 1620 | ||
| Monteverde, C.: Concerto. Il settimo libro de madrigali. 6 parts. Venice, 1628 | ||
| Bernardi: Secondo libro de madrigali. 6 parts. Venice, 1616 | ||
| 51 – 53 | 887 – 892 | Rovetta: Bicinia sacra. 3 parts. Antwerp, 1668 |
| Carissimi: Sacri concerti musicali. Canto I, II, Basso and Organo only. Rome, 1675 | ||
| Gratiani: Motetti a due e tre voci. 4 parts. Rome, 1667 | ||
| Aloysius, J.P. Palestrina: Motecta festorum totius anni. 4 parts. Rome, 1622 | ||
| Stamigna: Sacrorum concentuum … liber primus. 4 parts. Rome, 1670 | ||
| Rovetta: Gemma musicalis. 5 parts. Antwerp, 1649 | ||
| Aloysius, J.P. Palestrina: Motettorum … liber quintus. 5 parts. Venice, 1601 | ||
| Casati: Il terzo libro de sacri concenti. 5 parts. Venice, 1644 | ||
| Grandi: Celesti fiori. 5 parts. Venice, 1638 | ||
| Melanus: Delectus sacrorum concentuum. 5 parts. Rome, 1673 | ||
| Vermeren: Florida verba. 5 parts. Antwerp, 1661. See also Museum Shelf Mark 284 – 288 | ||
| Gratiani: Litanie della Madonna. 5 parts. Rome, 1675 | ||
| Gratiani: Motetti a due, tre, quattro e cinque voci. 5 parts, lacking Bassus. Rome, 1676 | ||
| Poggioli: Delectus sacrarum cantionum. 6 parts. Antwerp, 1652 | ||
| Foggia, F.: Psalmodia vespertina. 6 parts. Rome, 1667 | ||
| Foggia, F.: Messe a tre, quattro e cinque voci. 6 parts. Rome, 1672 | ||
| Floridus: Alias cantiones sacras … tribus vocibus cum organo. 4 parts. Rotterdam, 1657 | ||
| 54 | 893 – 899 | Monteverde, G.C.: Delli affetti musici. 7 parts. Venice, 1620 |
| Monte, F.: Musica sopra Il pastor fido. 7 parts. Venice, 1600 | ||
| Marini, B.: Per le musiche di camera, concerti … 7 parts. Venice, 1634 | ||
| Aloysius, J.B.: Contextus musicarum proportionum. 7 parts. Venice, 1637 | ||
| 55 – 56 | 900 – 907 | Rattus: Cantica Salomonis … pars prima. 4 parts. Venice, 1632 |
| Rattus: Sacrae modulationes … pars secunda. 8 parts. Venice, 1628 | ||
| Rattus: Sacrae modulationes … pars tertia. 8 parts. Venice, 1628 | ||
| Vecchi: L’Amfiparnaso. 5 parts. Venice, 1597 | ||
| 56 – 58 | 908 – 912 | India: Libro primo de madrigali. 5 parts. Venice, 1610 |
| India: Libro secondo de madrigali. 5 parts. Venice, 1611 | ||
| India: Il quarto libro de madrigali. 5 parts. Venice, 1616 | ||
| India: Il quinto libro de madrigali. 5 parts. Venice, 1616 | ||
| India: Le musiche e balli. 5 parts. Venice, 1621 | ||
| Venosa Gesualdo: Madrigali libro primo. Nova ristamp. 5 parts, Quinto lacking pp.17 – 20. Venice, 1603 | ||
| Venosa Gesualdo: Madrigali libro secondo. Nova ristamp. 5 parts. Venice, 1603 | ||
| Venosa Gesualdo: Madrigali libro quarto. Nova ristamp. 5 parts. Venice, 1604 | ||
| Venosa Gesualdo: Madrigali libro primo. Tertia impr. 5 parts. Venice, 1616 | ||
| Venosa Gesualdo: Madrigali libro secondo. Tertia impr. 5 parts. Venice, 1617 | ||
| Venosa Gesualdo: Madrigali libro terzo. Nova ristamp. 5 parts. Venice, 1619 | ||
| Venosa Gesualdo: Madrigali libro quarto. Terza impr. 5 parts. Venice, 1616 | ||
| Venosa Gesualdo: Madrigali libro sesto. Nova stamp. 5 parts. Venice, 1616 | ||
| Nenna: Madrigali. Quinto libro. 5 parts. Venice, 1612 | ||
| Nenna: Il primo libro de madrigali. Venice, 5 parts. 1617 | ||
| Nenna: Il quarto libro de madrigali. Venice, 5 parts. 1617 | ||
| Nenna: Il sesto libro de madrigali. 5 parts. Venice, 1618 | ||
| Nenna: Il settimo libro de madrigali. 5 parts. Venice, 1624 | ||
| Nenna: Il primo libro de madrigali a quattro voci. 5 parts. Venice, 1621 | ||
| 58 – 59 | 913 – 918 | Morley: Canzonets. 4 parts. London, 1597 |
| Vecoli: Il secondo libro de madrigali. 5 parts. Paris, 1586 | ||
| Yonge: Musica Transalpina. 6 parts. London, 1588 | ||
| Yonge: Musica Transalpina. The second booke. 6 parts. London, 1597 | ||
| Finettus: Concerti ecclesiastici. 5 parts. Antwerp, 1621 | ||
| Philippi: Paradisus. Prima, Secunda and Tertia pars only. Antwerp, 1628. See also Museum Shelf Mark 611 | ||
| 60 | 919 – 921 | Peccio: Sacri modulatus. Cantus, Bassus & Bassus ad organum only. Venice, 1629 |
| Marastoni: Madrigali concertati. Canto/Tenore I, II & Basso continuo only. Venice, 1628 | ||
| Pisticci: Motetti. 3 parts. Venice, 1637 | ||
| Molinaro: Concerti ecclesiastici. Canto, Basso & Partitura only. Venice, 1605 | ||
| Trofeo: Canzonette leggiadre. 3 parts. Milan, 1600 | ||
| India: Villanelle alla napolitana … libro primo. 3 parts. Venice, 1610 | ||
| 61 | 922 – 925 | Pisticci: Il terzo libro delli motetti. 4 parts. Venice, 1633 |
| Leonis: Sacri flores. 4 parts. Antwerp, 1619 | ||
| Turini: Madrigali. 4 parts. Venice, 1624 | ||
| Cossa: Madrigaletti … libro primo. 4 parts. Venice, 1617 | ||
| Calvi: Quarta raccolta de sacri canti. Canto, Alto, Tenore, Basso per l’organo only. Venice, 1629. See also Museum Shelf Mark 264 – 266 | ||
| Constantini: Motetti. 4 parts. Venice, 1634 | ||
| Marini, B.: Madrigaletti. Canto I, Canto II, Basso & Basso – continuo only. Venice, 1635 | ||
| 62 – 63 | 926 – 930 | Tomasius: Motecta. 5 parts. Venice, 1635 |
| Cavda: Catena sacrarum cantionum. 5 parts. Venice, 1626 | ||
| Sances: Motetti. 5 parts. Venice, 1638 | ||
| India: Liber primus motectorum. 5 parts. Venice, 1627 | ||
| Grandi: Il primo libro de motetti. 5 parts. Venice, 1628 | ||
| Grandi: Il secondo libro de motetti. 5 parts. Venice, 1628 | ||
| Grandi: Motetti a una et due voci con sinfonie di due violini … libro terzo. 5 parts. Venice, 1629 | ||
| Grandi: Quarto libro de motetti. 5 parts. Venice, 1628 | ||
| Grandi: Celesti fiori. 5 parts. Venice, 1625 | ||
| Grandi: Il sesto libro de motetti. 5 parts. Venice, 1630 | ||
| Cifra: Motecta. Liber primus. 3 parts. Venice, 1614 | ||
| Cifra: Motecta. Liber secundus. 3 parts. Venice, 1611 | ||
| Cifra: Motecta. Liber tertius. 3 parts. Venice, 1614 | ||
| Cifra: Motecta. Liber quartus. 3 parts. Venice, 1613 | ||
| Cifra: Motecta. Liber quintus. 3 parts. Venice, 1616 | ||
| Monte, G.: Applausi ecclesiastici. 2 parts. Venice, 1636 | ||
| Monte, G.: Sacri affetti. 2 parts. Venice, 1637 | ||
| 64 – 65 | 931 – 935 | Fontei: Melodiae sacrae. 5 parts. Venice, 1638 |
| Carrone: Il primo libro delli motetti. 5 parts. Venice, 1629 | ||
| Cesare: Concerti ecclesiastici. 5 parts. Venice, 1614 | ||
| Gallerano: Ecclesiastica armonia. 5 parts. Venice, 1624 | ||
| Burgio: Hortus Marianus. 5 parts. Antwerp, 1630 | ||
| Aloysius, J.B.: Corona stellarum duodecim antiphonis Beatae Virginis. 5 parts. Venice, 1637 | ||
| Aloysius, J.B.: Coelestis Parnasus. 5 parts. Venice, 1628 | ||
| Marini, F.M.: Concerti spirituali. 5 parts. Venice, 1637 | ||
| Filippi: Concerti ecclesiastici. 5 parts. Venice, 1637 | ||
| Facho: Motetti. 5 parts, lacking Tenor. Venice, 1635 | ||
| Gualtieri: Motetti. 5 parts. Venice, 1630 | ||
| Trabatone: Concerti. 5 parts. Venice, 1629 | ||
| 65 | 936 | Paisley: A short treatise on harmony. London, 1730 |
| 937 – 938 | Simonetti: Ghirlanda sacra. 2 parts. Venice, 1630 | |
| 66 | 939 | Matteis: Ayres for ye violin. Part I. Imperfect, lacking title page and some other leaves, supplied in manuscript. s.l., n.d. |
| Matteis: Other ayrs … The second part. s.l., n.d. | ||
| 66 – 67 | 962 – 967 | Lassus: Moduli quatuor et octo vocum. 4 parts. La Rochelle, 1576 |
| Schvuaiger: Moduli aliquot sacri. 4 parts. Munich, 1572 | ||
| Lassus: Fasciculus aliquot cantionum sacrarum. 5 parts. Munich, 1581. See also Museum Shelf Mark 968 – 973 | ||
| Lassus: Sacrae cantiones. 5 parts. Nuremberg, 1575. See also Museum Shelf Mark 968 – 973 | ||
| Meilandus: Cantiones aliquot novae. 5 parts. Frankfurt, 1576 | ||
| Tallis & Byrd: Cantiones quae ab argumento sacrae vocantur. 6 parts. London, 1575. See also Museum Shelf Mark 968 – 973 | ||
| Wanningus: Sacrarum cantionum. 6 parts. Nuremberg, 1580 | ||
| Lassus: Magnificat octo tonorum. 6 parts. Nuremberg, 1580. See also Museum Shelf Mark 968 – 973 | ||
| 68 – 69 | 968 – 973 | Lassus: Mellange. 4 parts. La Rochelle, 1575 |
| Lassus: Sacrae lectiones. 4 parts. Nuremberg, 1575 | ||
| Lassus: Sacrae cantiones. 5 parts. Nuremberg, 1575. See also Museum Shelf Mark 962 – 967 | ||
| Lassus: Moduli quinque vocum. 5 parts. La Rochelle, 1576 | ||
| Lassus: Fasciculus aliquot cantionum sacrarum. 5 parts. Munich, 1581. See also Museum Shelf Mark 962 – 967 | ||
| Lassus: Magnificat octo tonorum. 6 parts. Nuremberg, 1580. See also Museum Shelf Mark 962 – 967 | ||
| Tallis & Byrd: Cantiones quae ab argumento sacrae vocantur. 6 parts. London, 1575. See also Museum Shelf Mark 962 – 967 | ||
| 69 – 71 | 974 – 978 | Marenzio: Il primo, secondo, terzo, quarto, & quinto libro delle villanelle. 3 parts. Antwerp, 1610. See also Museum Shelf Mark 1063 – 1065 |
| Marenzio: Madrigali a quattro voci. 4 parts. Antwerp, 1607 | ||
| Marenzio: Madrigali spirituali a cinque voci. 5 parts. Antwerp, 1610. See also Museum Shelf Mark 1035 – 1040 | ||
| Marenzio: Il primo, secondo, terzo, quarto, & quinto libro de madrigali a cinque voci. 5 parts. Antwerp, 1609. See also Museum Shelf Mark 1047 – 1051 | ||
| Marenzio: Il sesto, settimo, ottavo et nono libro … de madrigali a cinque voci. 5 parts. Antwerp, 1609. See also Museum Shelf Mark 533 – 537 | ||
| Marenzio: Il primo, secondo, terzo, quarto, & quinto libro de madrigali a sei voci. 5 parts, lacking Sesto. Quinto lacks part of final leaf. Antwerp, 1610. See also Museum Shelf Mark 1041 – 1046 | ||
| Marenzio: Il sesto libro de madrigali a sei voci. 5 parts, lacking Sesto. Quinto lacks title page. Antwerp, 1610. See also Museum Shelf Mark 1041 – 1046 | ||
| 71 | 1010 | Barrett: Overture. The lady’s fine airs. 4 parts. s.l., n.d. |
| 1028 – 1033 | Marenzio: Cantiones sacrae. 4 parts. Antwerp, 1603 | |
| Marenzio: Madrigali a quatro voci … Libro primo. 4 parts. Venice, 1587 | ||
| Marenzio: Il quarto libro de madrigali a sei voci. 6 parts. Venice, 1587 | ||
| Turnhout: Il primo libro de madrigali a sei voci. 6 parts. Antwerp, 1589 | ||
| 72 | 1035 – 1040 | Marenzio: Madrigali spirituali a cinque voci. 5 parts. Antwerp, 1610. See also Museum Shelf Mark 974 – 978 |
| Graswinkel, ed.: Nervi d’Orfeo. 6 parts. Leiden, 1605 | ||
| 72 – 73 | 1041 – 1046 | Marenzio: Il primo, secondo, terzo, quarto, & quinto libro de madrigali a sei voci. 6 parts. Antwerp, 1610. See also Museum Shelf Mark 974 – 978 |
| Marenzio: Il sesto libro de madrigali a sei voci. 6 parts. Antwerp, 1610. See also Museum Shelf Mark 974 – 978 | ||
| 73 | 1047 – 1051 | Marenzio: Il primo, secondo, terzo, quarto, & quinto libro de madrigali a cinque voci. 5 parts. Antwerp, 1609. See also Museum Shelf Mark 974 – 978 |
| 74 | 1052 – 1056 | Marenzio: Madrigalia quinque vocum. 5 parts. Nuremberg, 1601 |
| 75 | 1057 – 1062 | Jeune: Le printemps. 6 parts. Paris, 1603 |
| 1063 – 1065 | Marenzio: Il primo, secondo, terzo, quarto, & quinto libro delle villanelle. 3 parts. Antwerp, 1610. See also Museum Shelf Mark 974 – 978 | |
| 1068 – 1072 | Phalesius, ed.: Musica divina di XIX autori illustri. 5 parts, lacking Tenor. Basso has damaged title page. Antwerp, 1583, 1588 Basso | |
| 76 | 1081 | Westminster Psalms. 6th edition. 1704 |
| 1083 – 1084 | Damon: The former booke of the musicke … 4 parts. London, 1591 | |
| Damon: The second booke of the musicke … 4 parts. London, 1591 | ||
| 1112 | Lock: Little consort of 3 parts. Leaf from Tenor part. 1656 | |
| Hilton: Ayres, or fa – la’s. Bassus part only. London, 1627. See also Museum Shelf Mark 449 – 454 | ||
| 1116 | Ravenscroft: The whole booke of psalmes … London, 1621 | |
| 1208 | Aldrich and Gibbons: Two anthems in score, proofs of an intended collection. n.d. | |
| also | Hiff: Catalogue of printed music published prior to 1801, now in the library of Christ Church, Oxford. Oxford, 1919 |